Shadan Ali, a prominent artist from Sulaymaniyah, is not only known for her sculpture work but also for her active role in global peace efforts. She serves as a member of the World Peace and Children’s Embassy Secretariat and holds a position as a human rights representative in the United Nations and European peace organizations.
Ali has been recognized for her contributions to both the arts and human rights. She holds a doctorate and has been awarded the World Peace and Humanity Ambassador award, specifically for her work in sculpture and advocacy.
In an interview with Kurdish Globe, Shadan Ali shared her background, saying, “I was born and educated in Sulaymaniyah. I served as the head of the Kurdish language book section at the Sulaymaniyah Public Library for 12 years, from 2004 to 2018.”
When discussing her exhibitions, she added, “I have held four solo exhibitions in addition to participating in numerous regional, national, and international art exhibitions. I’ve received recognition as the best personality of the year in various countries, including America, Europe, Asia, and the Arab world. My work is centered on promoting peace, human rights, and respect for humanity.”
Regarding her artistic process, Ali emphasized the emotional depth of her work. “A painting requires time, material, and emotion. I use intense and emotional colors in my pieces to convey a deeper message.”
On the state of art in Kurdistan, Ali remarked, “Art is a message for me, a way to communicate important issues. The art scene here is thriving, with frequent exhibitions and growing creativity. Art is connected to life, disasters, peace, culture, and civilization, and it evolves as society does.”
Despite her success, Ali shared the challenges of the local art market, explaining, “Art has no material aspect for me; I’ve always worked independently without support. Unfortunately, trading sculpture art in Kurdistan is almost non-existent, and it is difficult to sell artwork at reasonable prices. The current economic hardships and low incomes have led people to prioritize basic needs over purchasing art, leaving fewer buyers for artistic works.”